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Reviewer: Lindsay
Kemp
Suzuki Bach cycle
alights on the secular cantatas
together with a chorus, in BWV36c, a longer and more self-consciously dignified creation lauding the birthday of some Leipzig professor or other. Serious it may be but there are some lovely things here, none more so than the nineminute aria for soprano and tenderly doting viola d’amore.
As ever, Suzuki and colleagues are excellent, their collective experience as Bach interpreters enabling them to gel as one. You feel you are ever safe in their hands; but if you think that simply means no surprises, listen to them cut loose in the lusty Wedding Quodlibet, an in-jokefuelled nonsense-fest for four voices and continuo, probably written for a Bach family wedding. Its original concluding fugue has gone missing but BCJ have found a witty way to acknowledge its former presence. I won’t spoil things by describing it here. |
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