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Reviewer: Catherine
Moore In this oratorio Alessandro Stradella (1639-82) tells the story of Pelagia of Antioch’s conversion from a life of self-indulgent pleasure to one of solitary contrition. Powerful allegorical figures pick sides and compete to sway Pelagia to change—or not—her way of life: Mondo (the World) cautions that youth fades away; Nonno (Reason, personified by Bishop Nonnus) disputes Il Mondo’s power; and Religione (Religion), describing herself as “warlike”, enters the fray with an aria about lightning bolts and arrows from God. Religion wins out, but not before the composer leads us through many moods and contrasts. For instance, Pelagia plays the coquette preoccupied with braiding flowers into her hair and boasting of her allure; then Religion responds with name-calling (“you barbarous woman!”) and insistence that love will torment, mock, and kill.
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