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Reviewer:
David Vickers
As it happens, the majority of the
music chosen from the oratorio is from the original Cannons version (c1720), but
the disc concludes with the aforementioned ‘God is our hope’ (attentive
listeners will spot that for the oratorio version Handel removed the section
‘and all the people rejoiced and said’). Laurence Cummings’s assured shaping of
the excellent orchestra and the NDR Chorus’s strong yet balanced textures are
particularly satisfying in the largest-scale brassiest passages of the
Coronation Anthems. Whether in the suspenseful theatricality of the opening of
Zadok the Priest or the regal splendour of the ‘Alleluja’ fugue that
concludes The king shall rejoice, often these resonant live performances
are globally on a par with the best studio versions in the sizeable catalogue.
The Hamburg-based choir misses the mark slightly for the feminine middle
sections designed to illustrate the attributes of Queen Caroline in My heart
is inditing, but the doleful ‘Ye sons of Israel mourn’ from Esther shows
that this Teutonic choir can sing Handel in English with as much eloquence as
any native British choir. |
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