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Reviewer:
Alexandra Coghlan
Toured extensively as a concert programme back in 2007‑08, this composite masque now belatedly arrives on disc, and it’s all the better for having matured in the barrel for a decade. Kenny has assembled a crack team. The luteplaying (from David Miller, Jacob Heringman and Kenny herself) is, as you’d expect, gloriously skilful and varied in texture, stepping forwards for occasional virtuoso solos (the opening ‘Lord Zouche’s Maske’, ‘The Earl of Essex Measure’), and the violins switch from court to country tavern in a heartbeat, making rough magic of the many anonymous dances. Soprano
Sophie Daneman brings a career’s worth of character to her contributions, and
tenor Nicholas Mulroy balances Underwood’s fruity comedy with some achingly
refined melody-spinning. Teenage soprano Rosanna Wicks makes a striking debut
with Lawes’s ‘Sweet Echo’, sweetly unaffected and ornamented with filigree care.
The Salisbury Cathedral trebles are an unexpected bonus, adding to the sense of
genuinely collective, community music-making that gives this recording such
personality and charm.
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