Analystes  / Reviewers

Marry Berry, John Boyer, Charles E. Brewer, Frédéric Delaméa,
 Duncan Druce,
Richard Fairman, David Fallows, Iain Fenlon , Fabrice Fitch,
Jonathan Freeman-Atwood, Lindsay Kemp, Tess Knighton,
Peter Loewen, Ivan Moody, Tom Moore, Michael Noone, Brian Robins,
Julie Anne Sadie, Roger Tellart

Mary Berry: enseigne,  effectue de la recherche et fait la promotion du chant grégorien. Elle dirige la chorale " The Cantors of the Schola Gregoriana" de Cambridge.
Source:Gramophone		 Mary Berry teaches, researches and promotes Gregorian chant and runs the Schola Gregoriana of Cambridge.

Source:Gramophone
John Boyer: travaille dans le monde de l'assurance mais consacre la majeure partie de ses temps libres à la musique - tout particulièrement vocale.
Source: American Record Guide		 John Boyer:  works in the insurance industry (Massachusetts) but spends most of his spare time on music--especially the voice

Source: American Record Guide
Charles E. Brewer  : enseigne la musique à l'université d'état de la Floride à Tallahassee. Sa thèse de doctorat portait sur la musique médiévale. Il a rédigé l'article portant sur Biber dans le New Grove Dictionary.
 Source: American Record Guide		 Charles E. Brewer,  : teaches music at Florida State in Tallahassee. His doctoral dissertation was in medieval music, and he wrote the New Grove article on Biber.

Source: American Record Guide
 
Frédéric Delaméa: est spécialiste de l'oeuvre de Vivaldi et se consacre à l'étude des opéras du compositeur. Ses travaux ont fait l'objet de plusieurs publications, notamment sous l'égide de l'Instituto Italiano Antonio Vivaldi de Venise. Parallèlement à ses recherches, il conseille et assiste régulièrement musiciens et éditeurs discographiques dans leur prospection de ce répertoire.

Source: Goldberg Magazine		 Frédéric Delaméa : is a Vivaldi specialist particularly interested in the operas of that composer. He has published several works, particularly under the direction of the Instituto Italiano Antonio Vivaldi in Venice. In parallel with his research, he also advises and regularly assists musicians and record labels in relation to their exploration of this repertoire.

 Source: Goldberg Magazine
 
Duncan Druce: est un interprète de même qu'il écrit sur la musique. Son édition du Réquiem de Mozart a été enregistré par le London Classical Players, sous la direction de Roger Norrington (EMI, analysé dans Gramophone, 11/92.


Source:Gramophone		 Duncan Druce: is a performing musician as well as a writer on music. His edition of the Mozart Requiem has been recorded by the London Classical Players, with whom he played as a violinist, under Sir Roger Norrington (EMI, reviewed in Gramophone 11/92).

Source:Gramophone
Richard Fairman: est critique de musique pour le Financial Times. Il est membre du conseil d'administration du magazine Opera. Il travaille également pour le National Sound Archive de la British Library, où il a produit son premier enregistrement en 1999.

Source:Gramophone		 Richard Fairman: is a music critic for the Financial Times. He is a board member of Opera magazine and former editor of its website. He also works for the British Library's National Sound Archive, where he produced his first CD in 1999.

Source:Gramophone

  David Fallows is a professor of musicology at Manchester University, where he has taught since 1976. He is also vice-president of the International Musicological Society. His books have included Dufay, Songs and Musicians in the Fifteenth Century and A Catalogue of Polyphonic Songs, 1415-1480. He has prepared a critical edition of Josquin Desprez's four-voice secular works.

Source:Gramophone
  Iain Fenlon has been a fellow of King's College, Cambridge for over 25 years and has written several books and articles on music in Italy during the Renaissance. Married to Italian musicologist Nicoletta Guidobaldi, he divides his time between Paris, Cambridge and Italy.

Source:Gramophone
  Fabrice Fitch is active both as a composer and musicologist, and currently lectures at the University of Durham. His music has been performed by the Orlando Consort and Peter Hill, among others, and he has written a book on the Masses of Ockeghem. He is record reviews editor for the journal Early Music.

Source:Gramophone
  Jonathan Freeman-Attwood is a Vice-Principal of London's Royal Academy of Music. As well as producing recordings for a number of independent labels, he occasionally finds himself on the other side of the microphone

Source: Gramophone
Maricarmen Gómez après des études à Barcelone et à Göttingen, Maricarmen Gómez devient professeur de Musicologie à l'Université de Barcelone. Elle a écrit plusieurs livres et a été directrice de la Société Internationale de Musicologie (1987-1997). Elle vit à Barcelone. Maricarmen Gómez studied in Barcelona and Göttingen. Since 1986 she has been a lecturer in the history of music at the Universidad Autónoma de Barcelona and has been inivited lecturer at Princeton (1989-1990) and North Texas ((1996) universities. She was director-at-large of the international Musicology Society (1987-1997). Author of several books on Medievela and Renaissance music., she is currently (i.e. 1998) preparing the second volume of her studies on El Cant de la Sibil.la. She lives in Barcelona.
  Lindsay Kemp is a producer for BBC Radio 3, where the many programmes on which he has worked include Music Restored, Spirit of the Age and Late Junction. He is also a freelance record producer and a prolific writer of reviews, articles and programme notes. He has reviewed for Gramophone for 10 years.

Source:Gramophone
  Tess Knighton is editor of Early Music and founder (in 1984) of the Lufthansa Festival of Baroque Music, of which she was artistic director until 1997. Her latest book is Music and Culture at the Court of Ferdinand and Isabella.

Source:Gramophone

Graham Lock est un écrivain à la pige et un éditeur. Il est aussi professeur de musique américaine invité par l'université de Nottingham. Il écrit sur la musique depuis de nombreuses années et`a rédigé plusieurs essais pour des compagnies de disques. Outre la musique classique ancienne et baroque, son intérêt se porte sur le jazz. Il a publié quatre livres à date portant sur ce sujet.

 Source: Goldberg Magazine		 Graham Lock is a freelance writer and editor and a Special Lecturer in American Music at the University of Nottingham. He's been writing about music for many years and has provided sleevenotes for several record companies. Together with baroque and early classical music, his chief interest is jazz, on which he has published four books to date.

Source: Goldberg Magazine

 
  Peter Loewen is a Canadian but teaches music at Eastern Illinois University. His doctorate was in renaissance music.

Source: American Record Guide
Ivan Moody: a fait ses études à l'université de Londres et a travaillé avec John Taverner. En tant que compositeur, il a centré son travail sur la spiritualité de l'Église orthodoxe à laquelle il appartient. Il a composé des oeuvres pour The Hilliard Ensemble et Fretwork.
Il écrit sur la musique ancienne dans de nombreux magazines. Il habite Estoril, Portugal.

Source: Goldberg Magazine		 Ivan Moody: studied at London University and privately with John Taverner. His work as a composer is centred on the spirituality of the Orthodox Church, of which he is a member. He has composed works for, among others, The Hilliard Ensemble and Fretwork. He has written about early and contemporary music in many magazines worldwide. He lives in Estoril, Portugal.

Source: Goldberg Magazine
Tom Moore: Né à Newport en 1956, Moore étudia la musique à l'université de Stanford. Il a écrit sur la musique pour Fanfare, Early Music America, Flutist Quarterly et d'autres publications. En tant que flutiste il interprète de la musique ancienne et contemporaine avec les ensembles Le Triomphe de l'Amour et le Duo Ronai/Moore. Il habite Trenton au New Jersey.



Source: Goldberg Magazine




 		 Tom Moore studied music at Harvard and Stanford and is active as a flutist in performing both baroque music (with Le Triomphe de l'Amour, which he co-founded with harpsichordist Janet Palumbo) and contemporary music (with the Ronai/Moore Duo, which is active in commissioning new works for baroque and modern flutes). He also has recorded as a singer with Pomerium Musices and Concert Royal. He has written for Fanfare, Goldberg, Historical Performance, Early Music America, 21st Century Music and Music Library Association Notes; he is also active as a translator. He lives in Trenton, New Jersey.

Source: Andante
  Denis Morier: professeur d'Analyse au CNSM (Conservatoire National Supérieur de Musique et de Danse de Paris) et de Culture musicale au CRD du Pays de Montbéliard.
Collaborateur à la revue Diapason depuis 1986.

Publications;
"Les trois visages de Monteverdi" (Harmonia Mundi)
"Carlo Gesualso" (Fayard)
 "Chroniques musiciennes d'une Europe baroque" (Fayard)

Source: Diapason

Michael Noone est une autorité dans le domaine de la polyphonie de la Renaissance espagnole. Son livre Music and Musicians in the Escorial Liturgy under the Hapsburgs, 1563-1700 a été publié par la University of Rochester Press en 1998. En tant que chef d'orchestre, il a réalisé plusieurs enregistrements avec l'Orchestra of the Renaissance et The Song Company. Il vit à Tolède.

Source: Goldberg Magazine

 

 Michael Noone
Brian Robins - Écrivain freelance, conférencier et homme de radio. Son édition de l'ouvrage The Journals of John Marsh a été publiée en 1998. Son dernier livre, Catch and Glee Culture in 18th century England, est sorti en septembre 2006. Critique pour le magazine américain Fanfare, il contribue aussi à la révision du New Grove Dictionary et de l'Oxford Dictionary of National Biography.
Source: Goldberg Magazine
Consultez: www.earlymusicworld.com		 Brian Robins is a freelance writer, lecturer, and broadcaster. His edition of The Journals of John Marsh was published in 1998. His most recent book, Catch and Glee Culture in 18th century England, was published in September 2006. A regular reviewer for Fanfare (USA), he is also a contributor to the revised New Grove Dictionary and the Oxford Dictionary of National Biography.
Source: Goldberg Magazine
Consult: www.earlymusicworld.com

 

Olivier Rouvière - Diplômé en Histoire de l'Art, docteur ès Études Théâtrales, Olivier Rouvière est l'auteur de Metastasio, musicien du verbe (Hermann, 2008) et Les Arts Florissants de W. Christie (Gallimard, 2004). Critique musical, traducteur et rédacteur spécialisé en librettologie, il collabore régulièrement à Diapason  et à L'Avant-Scène Opéra.

Source: L'Avant-Scène Opéra		  
  Julie Anne Sadie is a writer on baroque music, especially French, and a champion of women composers, viol and cello playing and musical museums. Her books include a Companion to Baroque Music, and she was an editor of The New Grove Dictionary of Women Composers. She is collaborating with her husband, Stanley Sadie, on a guidebook to composer museums and memorials, Calling on the Composer.

Source:Gramophone
Roger Tellart : Musicologue et collaborateur de plusieurs magazines français dont Diapason, Roger Tellart est l'auteur d'un livre sur Heinrich Schütz et d'un ouvrage remarquable consacré à Monteverdi. Il travaille actuellement à un livre sur la naissance de l'oratorio romain.

Source: Goldberg Magazine		 Roger Tellart is a musicologist and contributor to several French magazines including Diapason. He is the author of a book on Heinrich Schütz and a remakable book on Monteverdi. He is now working on a book on the origins of the Roman oratorio.

Source: Goldberg Magazine
 
Philippe Venturini - Journaliste à Classica et critique musical au quotidien  Les Échos. Il participe au Guide de la musique ancienne et baroque ainsi qu'au Dictionnaire Mozart (Robert Laffont, collection Bouquins) et a rédigé un essai sur Corelli chez Fayard-Mirare.

Source: L'Avant-Scène Opéra		  
William Yeoman est écrivain et musicien . Il vit actuellement à Peerth, en Australie de l'ouest. Il écrit régulièrement pour Gramophone, pour International Record Review et pour Limelight magazine., et le journal West Australian publie ses critiques musicales. W. Yeoman travaille depuis de nombreuses années dans le secteur de la distribution de disques de musique classique.

Source: Goldberg Magazine		 William Yeoman is a freelance writer and musician currently living in Perth, Western Australia. He is a regular contributor to the Gramophone, International Record Review and Limelight magazines, as well as being a music critic for the West Australian newspaper. Mr. Yeoman has worked in the classical CD retail industry for many years.

Source: Goldberg Magazine