Reviewer: Richard
Lawrence
Victoria’s set of
Tenebrae was published in 1385 in a collection that included the
Lamentations of Jeremiah. It consists of six groups of three responsories,
two for each of the three days leading up to Easter.
Sections for four-part choir — the responds— frame the versicle, where
Victoria not only reduces the texture but varies the scoring. What is not
varied is the tonality: it would be a mistake to play the disc in one go.
Nigel Short avoids monotony through tempo changes and dynamic contrast: some
sections are splendidly vigorous; others — the end of ‘Seniores populi’,
for instance — are magically rapt. ‘Tenebrae factae sunt’ is appropriately
transposed down by an octave and sung by the tenors and basses. The
eponymous choir, 13 strong, is exemplary.
 
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