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Reviewer: Joseph
Magil
Tabea Zimmermann’s Bach is
light, sprightly, lyrical, and mellifluous. She does not attempt to makes
grand statements in these suites. That is sensible considering the light
tone of her instrument. It is a choice that works beautifully thanks to her
taste and intelligence. She tells us, “We truly need Bach’s music,
regardless of the instrument it is performed on. But for me the most
important thing is to achieve a coherent approach that makes a connection
between the instrument you have chosen and the way you play it.” These are
the most satisfying readings of these suites that I have heard on the viola.
There are six pieces from
Gyorgy Kurtag’s Signs, Games and Messages. These are expressionist,
dissonant, avant-garde pieces that are largely gestural and timbral. The
fifth piece, ‘A Flower for Tabea’, was written for her as a memorial to her
deceased husband. | |||||||
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