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Appréciation d'ensemble / Overall evaluation : | |
Reviewer: Kate Bolton-Porciatti
Among the better-known works are Josquin’s plangent Déploration on the death of Ockeghem, here dressed in mournful instrumental colours (mute cornett, dulcian, trombone), and Hayne van Ghizeghem’s chart-topping song De tous bien pleine, in turn the inspiration for reworkings by Josquin and Agricola, which Il Giardino despatch with a jazzy swing. There are rich textural contrasts throughout the programme, from the haunting sound of a solo recorder (Van Eyck’s Fantasia and Echo), via the plucked strings of harp and harpsichord in a striking arrangement of a Gesualdo madrigal, to a quasi-orchestral realisation of a Castello Sonata.
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