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Reviewer:
David Fallows Adding glory to the occasion are five of his motets, presented in what seem to me the most intelligent and musically transparent performances. Here the influence of Andrew Lawrence-King seems important, not just because he plays so many different instruments but because he has the neat idea of adding a 16‑foot pitch only at crucial points within the motets: others have done this before but never with the same restraint, intelligence and musical power. One could question some of the choices of instruments here but never the quality of the musical results. To mention all the glorious details here would break the banks of this review but I cannot avoid mentioning the marvellously experienced singing of Catherine King and her duetting with Steven Harrold: that is seriously classy. And the entire package is beautifully assembled by Linn. |
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