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Reviewer: George
Hall
Bejun Mehta’s CD focuses on the 18th-century cantata, with some excursions. The title track, an aria Mehta admits he ‘fell madly in love with’ when he encountered it in 2015, comes from The Choice of Hercules, a short, secular oratorio by Handel, who is also represented by another aria from an anthem, as well as two true Italian cantatas – Mi palpita il cor and Siete rose rugiadose. In addition, there’s a ‘lamento’ by JS Bach’s uncle, Johann Christoph, and a single-movement funeral cantata formerly believed to be by Bach but now attributed to one Melchior Hoffmann. The remaining items are genuine cantatas by Bach and Vivaldi. Something of a mixed bag, then, but all quality items, with the pieces by the two members of the Bach family outstanding. As he demonstrates in Mi palpita il cor, Mehta’s voice remains light and graceful, and his general ability to move around the small notes is only occasionally compromised by untidiness. The period-instrument orchestra’s flautist, Christoph Huntgeburth, shines here. So too does his oboist colleague Xenia Löff ler in Ich habe genug; she also tackles the small but distinctive bell part in the beautiful Hoffmann piece (if it is his). Mehta’s
consciousness of text and sense of drama make vivid the Vivaldi work, while he
is deeply moving in Johann Christoph Bach’s fine lament and noble in the Handel
anthem aria (‘I will magnify thee’) as well as the title track. | ||||
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