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Harmonia Mundi |
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Reviewer: Anthony
Pryer
Victoria seems to have composed these works in Rome since they were published in 1585, two years before he returned to his native Spain. The texts come from services commemorating the dramatic events of Holy Week including that ‘dark’ (‘tenebrae’) period when Christ was ‘out of action’ between his crucifixion and his resurrection on Easter Sunday. These settings were performed after readings from the scriptures – they ‘respond’ to them, hence their name – and their subjects range widely across dramatic narrative, direct speech by Jesus, penitential reflection and much else besides.
Stile Antico is
a vastly experienced ensemble and projects these pieces with poise, technical
finesse and nuance. Their account of Christ’s betrayal by Peter (‘Jesum tradidit’),
for example, captures wonderfully the fateful atmosphere of that event, and
Christ’s words in ‘Una Hora’ (Could you not watch one hour with me?) are
projected with magical singing from the sopranos. The one serious rival to this
recording is by Nigel Short’s ensemble – confusingly called Tenebrae – issued on
Signum Classics in 2013. Their version of ‘Amicus meus’, where Christ himself
speaks of his betrayal, begins quietly and moves inexorably towards the anguish
of Judas hanging himself. We have a similar control from Stile Antico, but
slightly less direction, and although the latter have a more resonant acoustic
(which gives them ‘body’) the texture is less clear. Both ensembles reflect
impeccable English choral traditions, but the harrowing subjects here would
probably suit, in a different way, the more fervent (if rougher) Spanish or
Italian singing styles.
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