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Reviewer:
David Vickers
Coin’s intimately conversational playing seems to convey perceptive subtleties effortlessly (eg the tender Amoroso of Sonata No 5 in E flat), and the delicate use of harmonics and double-stopping in the rondo finale of Sonata No 3 in G is extraordinary. Coin also plays with a staggering range and dexterity of bowing in the Vivace of Sonata No 1 in D, and plays the seemingly didactic Exercice (étude) in G published by Berteau’s pupil Jean-Louis Duport with consummate artistry. He continues the modern-day pedagogical tradition by having two of his former pupils at the Schola Cantorum Basiliensis share duties on the basso continuo cello part. Harpsichordist Markus Hünninger provides refined support but leaves the spotlight to all three cellists for the beguiling three-part texture in the Sonata No 6 in E minor. This is a veritable masterclass. |
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