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Reviewer: Tom
Moore
Some instruments have immense
repertoires, so vast that a whole lifetime would not be enough to even read
through everything; and some have repertoires small enough that one can
grasp them in a few years. And then there are instruments with immense
repertoires that have been forgotten. If you happen to develop your skills
on an instrument that is not the piano, the violin, the flute, the guitar,
but the recorder, or the cello, or the gamba, you must develop concomitant
skills on the size of the repertory you can share with your listeners (case
in point: Jordi Savall). The somewhat porous world of Celtic traditional
music is often appealing in this respect. It was and is often played by the
violin (fiddle), and also the tranverse flute, both now and in the 18th and
19th centuries; and probably very rarely by the recorder or the cello. Bruno
Cocset offers a well-filled selection of baroque-period arrangements of
Celtic material, principally by Francesco Geminiani and James Oswald, for
solo “viola” (not da braccio), and continuo. (Savall released his own Celtic
disc back in 2009, with little overlap with this program.) | |
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